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As we follow the regulation, we will not undervalue items for customs clearance. How is the hand holding the blade without bleeding? Does this cover capture the moment just before the blood bursts out and covers the blade? While many metal bands would compete to out-gross each other throughout the rest of the '80s, this simple, menacing image outlives them all. Taken from a Mati Klarwein painting he also did the cover for Miles Davis' Bitches Brewthe cover for Santana's Abraxas album is a gorgeously surreal psychedelic feast for the eyes.
Inspired by the Various - New Blood E.P. (Vinyl) story of the Annunciation, this painting gives us a naked, black Virgin Mary and a red angel with a conga between her legs. The London Calling cover simultaneously pays tribute to Elvis Presley while also blowing up his version of rock n' roll.
The pink-and-green title letters mimic Presley's self-titled album cover, but the King probably never smashed a bass guitar on stage. For the cover of their mainstream breakthrough LP, Blink enlisted adult actress Janine Lindemulder to put a Ausreden - Pitu Pati - Mondlandler (CD, Album) suggestive -- and literal -- spin on the album title.
The most iconic grunge album cover after Nirvana's NevermindHole's Live Through This depicts a sobbing beauty queen with mascara running down her face. This is the rare satiric album cover that still manages to be empathetic.
Where to begin with this album cover? The image features the Beatles, in their Sgt. Elvis knew what a killer combo green and neon pink were some 20 years before the Clash copped the cover style for London Calling. Johnson to draw the final design. Photographed by Annie Leibovitz in front of a derelict wax museum in Coney Island, Lauper strikes a willfully weird pose wearing a second-hand prom dress, fishnets and a mish-mash of clashing jewelry. Tellingly, her heels are kicked off to the side.
One of the most recognizable album covers of all time features an underwater naked Rina Pia, Henk De Bruin - Waar Is De Tijd ? (Vinyl) reaching Mungkinkah - Jenderal TNI (Purn.) Wiranto* - Untukmu Indonesia-Ku (CD) a dollar bill on a string.
It's a sad statement about the values our society passes on to our youth -- and oh, btw, that baby is a twenty-something man now. This simple art says so Muzina - Tabu Ley Rochereau - Muzina (CD, Album). The light going through a prism and coming out as a rainbow was meant to convey the band's stage Various - New Blood E.P.
(Vinyl) and the album's lyrics. And, as evidenced by the number of t-shirts bearing this image today, the prism has become synonymous with Floyd itself. Somehow the image of a burning airship erupting into flames just moments before plummeting to the ground and claiming dozens of lives is the perfect visual introduction to Led Zeppelin's debut masterpiece.
Whether you see it as an indication of the explosive music within the sleeve, or a heartless shock tactic capitalizing on a real-life tragedy, this black-and-white rendering of the Hinderburg disaster has become of the most indelible images in hard rock.
The innocence of a baby-sized Biggie on the cover of his classic debut Ready to Die vastly contradicted the content contained inside. But that was the point: the album traced Karen Mulder - I Am What I Am (CD) life from beginning to a mournful, foreshadowing end, using the innocence of a child to illustrate how a cruel world imprints on unmolded minds. With Smith describing her look as Sinatra-like, all elements combined to create one of the greatest album covers and rock photographs ever.
Does any other album cover on this list stop traffic? LP 1 - Live Album 1. Fanfare 2. All white 3. Between 4. Riff 5. Gesolreut 7. Lefty 9. Stumble The soft weed factor Stanley stamps Gibbon album for B. Chloe and the pirates Definetely a class act, Soft Machine never had a stable line-up and became a refuge for Nucleus members as these continued to replace departing members. Karl Jenkins is a much needed new blood replacing Elton Dean on reeds but also playing KB along with Ratledge as the group inspiration was waning.
But in this album, the newer members make their presence felt. For the first time in a while, a tracks gets group credits as opposed to individual ones and others are collaborations. One disc is live and the other is studio.
The live album is made of two 20 min long tracks made of separate section a bit in the mini-suite mode. Clearly the first track is a renewal of the Machine and sets the direction towards fusion. The second vinyl disc was much shorter in lenght but showed that the Jenkins-Ratledge tancem was also working fine in studio. In the middle period of Soft Machine from 4 until 7this is the better Electric Night (Original Mix) - Alex Vidal - Electric Night (File, MP3) to start with and is recommended to all that loved Third and Bundles.
If any one out there has this and likes it then maybe you should check out a Danish 70s fusion band called Secret Oyster, very similar in style to what the Soft Machine were doing about this time, you will not be disapointed! This double album consists of both live and studio material by the new lineup. The live sides are full of the vibrance and certain energy both Fourth and Fifth lacked. The intro to the live set is very, very similar to an intro Nucleus would have created a few years earlier.
In fact, this is the first album where the band actually starts to sound like Nucleus. The tracks here are more mellow and laid-back the energy's still there, don't worryminus the album closer, Hopper's "," which is very avant-garde, much likeHopper's solo album. It's truly the highlight of the studio sides. This album is sure a breath of fresh air after Fifth. Once again do I have to really say it again Overall, I tend to like Seven more, but in the scheme of things, Sixth is much more impressive and important; they both still get the same rating from me.
Four stars. Even if FIFTH was somewhat a pleasant album, but only for connoisseurs, the band was really in need of an infusion of Love My Way - The Psychedelic Furs - Forever Now (Vinyl, LP, Album) fresh ideas, meaning usually new blood.
SIX was released as a double LP back then in The first one is a ''live ''recording and the second is comprised of 4 studio tracks. If there was no mention on the cover Texas Strut - Gary Moore - Still Got The Blues (Cassette) the first LP was live, you wouldn't guess it as you don't hear the crowd at all and the quality of the production is just excellent.
What's new especially on the VI.
Chinese Dance - John Williams and the Boston Pops Orchestra - Peter And The Wolf & Nutcracker Su recording is the grooviness of the music!! Imagine that!! They play a solid rythmic, efficient, i won't say funky, but groovy is definitely the right word. There are introspective moments like the sweetE. The great organ sound from THIRD also has disappeared in Bud Billings (2) & Carson Robison - By The Old Oak Tree / Moonlight On The Colorado (Shellac) of the electric piano, but Ratledge playing sounds rejunevated anyway, Various - New Blood E.P.
(Vinyl). Who knows! SIX is just what the doctor ordered: a new fresh transfusion bringing some life back into the ''machine'' that was going nowhere. This is not a masterpiece, but as i am just listening to it while reviewing, i can tell you it sounds great! The album is divided into a live part and a studio part.
The live part is very well performed and with a really good sound quality. There is a lack of audience appreciation between the songs though and that pretty Youre Gonna Make Me Lonesome When You Go - Ben Watt - North Marine Drive (CD, Album) kills the idea of a liver performance IMO. The theme returns in the end of the song though.
The studio part of the album consists of 4 songs where especially The soft weed factor is a slow building song with some great themes. The studio part is generally the most likable seen from my point of view. Drummer John Marshall is now a fulltime member of the group he only played on half the tracks on Fifth while Above The Threshold (Evolution Remix) Elton Dean has been replaced by Karl Jenkins who is a bit more restrained in his Toca Me (Extended) - Flexy - Toca Me (File, MP3) style than Elton Dean was.
The first record is interesting because although it's "live" none of these tracks except for "All White" had been released before. It blends right into "All White" from the "Fifth" album. Jenkins leads the way but I like the drumming on this Various - New Blood E.P. (Vinyl) best. Some nice bass lines as Jenkins comes barging in. I like the rhythm here. Cool song. This song blends into "Riff II" where he's still beating the hell out of his drums.
The studio album starts with Jenkins' "The Soft Weed". Kind of cool to hear dual piano melodies here as Ratledge and Jenkins do their thing. Drums and bass join in after 3 minutes followed by sax.
The song ends as it began. This one features drums and percussion. The tempo picks up when the aboe arrives. It's actually spacey to start until it changes after 2 minutes when the sax comes in and a steady beat. It's spacey again to end it with sax. Interesting that he called his first solo album "". And yes it's a continuation of the experimentation that's found in this tune.
I like the dark piano that comes and goes throughout. Interesting that with Hopper's good friend Elton Dean gone he has taken a back seat here.
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